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- DescriptionDavid Lynch is internationally rewned as a filmmaker, but it is less kwn that he began his creative life as a visual artist and has maintained a devoted studio practice, developing an extensive body of painting, prints, photography, and drawing. Featuring work from all periods of Lynch's career, this book documents Lynch's first major museum exhibition in the United States, bringing together works held in American and European collections and from the artist's studio. Much like his movies, many of Lynch's artworks revolve around suggestions of violence, dark humor, and mystery, conveying an air of the uncanny. This is often conveyed through the addition of text, wildly distorted forms, and disturbances in the paint fields that surround or envelop his figures. While a few relate to his film projects, most are independent works of art that reveal a parallel trajectory. Organized in close collaboration with the artist, David Lynch: The Unified Field brings together ninety-five paintings, drawings, and prints from 1965 to the present, often unified by the recurring motif of the home as a site of violence, memories, and passion. Other works explore the odd, tender, and mincing aspects of relationships. Highlighting many works that have rarely been seen in public, including early work from his critical years in Philadelphia (1965 70), this catalog offers a substantial response to dealer Leo Castelli's comment when he enthusiastically viewed Lynch's work in 1987, I would like to kw how he got to this point; he cant be born out of the head of Zeus. Published in association with the Pennsylvania Academy of the Fine Arts.
- Author BiographyDr. Robert Cozzolino is Curator of Modern Art and Senior Curator at the Pennsylvania Academy of the Fine Arts (PAFA) and has organized over thirty exhibitions at PAFA, including Jacob Lawrence's Hiroshima (2008), George Tooker: A Retrospective (2009), Narcissus in the Studio: Artists' Portraits and Self-Portraits (2010), and The Female Gaze: Women Artists Making Their World (2012). A champion of underrepresented artists and uncommon perspectives on well-known artists, Dr. Cozzolino has been called the curator of the dispossessed for his attention to the underdog.
- Author(s)Robert Cozzolino
- PublisherUniversity of California Press
- Date of Publication28/11/2014
- SubjectIndividual Artists / Art Monographs
- Place of PublicationBerkerley
- Country of PublicationUnited States
- ImprintUniversity of California Press
- Content Note80 Color
- Weight1375 g
- Width267 mm
- Height280 mm
- Spine20 mm
- Format DetailsCloth over boards
Most relevant reviews
- **emilystrange*...20 Jul, 2017by
Beautiful book, interesting details into David's early life & amazing artworks.
Verified purchase: Yes | Condition: New
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