Poetry rejoices even if the culture dies,over the girl with her first electric, how her high,thin voice, amplified many timesover by the loudspeaker, is like a giant'sin the green grass of the festival site.from 'Poetry rejoices...'Dog Star Notations collects highlights from almost two decades of Hakan Sandell's poetry. Drawing on seven collections and completed by a selection of new work, this volume is the unrivalled Anglophone introduction to one of contemporary Sweden's finest poets. The poems are Retrogardist, a term Sandell first used in the nineties to signal his rejection of Post-Modernist styles and a return to the perennial resources of symbol, metre and rhyme. Since then he has developed, as his translator puts it, 'a verse music very much his own, at once improvisatory and incantatory'. A sometimes withering critic of contemporary society, Sandell is also a compassionate, even reverent observer. In his adopted Oslo, 'New Babylon cruises in its subdued/Nordic Social Democratic vein', mixing with 'the remains of the Norwegian working class' and the new arrivals of the past two decades, from Africa, Asia, the Middle East.In love with the material world, yet inspired by the mysticisms of the world's religions (great and small, orthodox and heterodox), Hakan Sandell comes across in these poems as a streetwise theosophist, alive to beauty and cruelty everywhere, compelled to make music of both.
Hakan Sandell was born in 1962 in Malmo, southern Sweden, he has lived abroad for most of his life, in Denmark, Ireland, and now Norway. He has published six collections of poetry, the most recent of which is 2013's Ode till Demiurgen (Ode to the Demiurge), and is a regular contributor to the Retrograd magazine Aorta.Bill Coyle's poems and translations have appeared in magazines including Hudson Review, The New Criterion, The New Republic, Poetry, and PN Review. His poetry collection The God of This World to His Prophet (2006) won the New CriterionPoetry Prize.