Monster: He's got zero empathy. You could be having a conversation and start choking to death and he'd just think, 'Well, this conversation's over. He'd probably just sit there and finish eating whatever you were choking on. An inexperienced teacher is given the job of saving a disturbed and violent fourteen-year-old boy from permanent exclusion. Alone in the classroom, an intense battle of wills takes place. But what can be done when a child cares for one and is afraid of thing? Monster won two awards at the inaugural Bruntwood Playwriting Competition and was first performed in 2007 at the Royal Exchange, Manchester, where Duncan MacMillan was Writer-in-Residence. Lungs: 'I could fly to New York and back every day for seven years and still t leave a carbon footprint as big as if I have a child. Ten thousand tonnes of CO2. That's the weight of the Eiffel Tower. I'd be giving birth to the Eiffel Tower.' In a time of global anxiety, terrorism, erratic weather and political unrest, a young couple want a child but are running out of time. If they over think it, they'll never do it. But if they rush, it could be a disaster.They want to have a child for the right reasons. Except, what exactly are the right reasons? And what will be the first to destruct - the planet or the relationship? 2071: Climate change is a matter of importance to everyone, but what to do about it is mired in controversy. What's needed is a conversation. What do we owe future generations? How can we protect our children and grandchildren? Every Brilliant Thing: You're six years old. Mum's in hospital. Dad says she's 'done something stupid'. She finds it hard to be happy. So you start to make a list of everything that's brilliant about the world. Everything that's worth living for. 1. Ice Cream 2. Kung Fu Movies 3. Burning Things 4. Laughing so hard you shoot milk out your se 5. Construction cranes 6. Me You leave it on her pillow. You kw she's read it because she's corrected your spelling. Soon, the list will take on a life of its own. A new play about depression and the lengths we will go to for those we love. People, Places and Things: Emma was having the time of her life. Now she's in rehab. Her first step is to admit that she has a problem. But the problem isn't with Emma, it's with everything else. She needs to tell the truth. But she's smart eugh to kw that there's such thing. When intoxication feels like the only way to survive the modern world, how can she ever sober up?
Duncan Macmillan is an award winning writer and director. Plays include: Lungs (Paines Plough/Sheffield Crucible and Studio Theatre Washington D.C.), Platform (Old Vic Tunnels), Monster (Royal Exchange/Manchester International Festival), The Most Humane Way to Kill A Lobster (Theatre 503), I Wish To Apologise For My Part In The Apocalypse, So Say All of Us and Family Tree (all BBC Radio 4). Formerly Writer-in-Residence at Paines Plough and the Royal Exchange, he has completed attachments at the National Theatre and the Royal Court/BBC, is a member of the Old Vic New Voices Company and a fellow of the TS Eliot UK/US Exchange. He is the winner of two Bruntwood Playwriting Awards, the Old Vic Big Ambition Award, a Pearson Residency Award, 'The 50' Bursary, and has been nominated in the Best New Play category of the TMA and MEN Awards.