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About this product
- DescriptionEarly American Women Critics demonstrates that performances of various kinds - religious, political and cultural - enabled women to enter the human rights debates that roiled the American colonies and young republic. Black and white women staked their claims on American citizenship through disparate performances of spirit possession, patriotism, poetic and theatrical production. They protected themselves within various shields which allowed them to speak openly while keeping the individual basis of their identities invisible. Cima shows that between the First and Second Great Religious Awakenings (1730s-1830s), women from West Africa, Europe, and various corners of the American colonies self-consciously adopted performance strategies that enabled them to critique American culture and establish their own diverse and contradictory claims on the body politic. This book restores the primacy of religious performances - Christian, Yoruban, Bantu and Muslim - to the study of early American cultural and political histories, revealing that religion and race are inseparable.
- Author BiographyGay Gibson Cima is a Professor of English and the Director of the Humanities Initiative at Georgetown University.
- Author(s)Gay Gibson Cima
- PublisherCambridge University Press
- Date of Publication25/05/2006
- SubjectLiterary Criticism
- Place of PublicationCambridge
- Country of PublicationUnited Kingdom
- ImprintCambridge University Press
- Content Noteblack & white illustrations
- Weight550 g
- Width152 mm
- Height228 mm
- Spine19 mm
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