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- DescriptionSuzaan Boettger offers the first comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the late 1960s social and political tumult. Boettger overturns many commonly held tions of Earthworks' origins and intentions. She argues that Robert Smithson's work on the Dallas-Fort Worth airport stimulated his thinking and that his writing about it catalyzed the movement. The visionary environments that followed, often sculpted in expansive and remote western terrains, were idealized by Americans and Europeans alike as displays of cowboy bravado. Boettger identifies earthworkers Michael Heizer, Dennis Oppenheim, Robert Morris, Walter de Maria, and Stephen Kaltenbach as former Californians whose treatment of the landscape reflects a western spirit. Her international purview integrates early work by the Europeans Barry Flanagan, Jan Dibbets, Richard Long, and Pi Pascali as precedents and parallels. Her examination of Earthworks' relationship to the ecology movement perceptively corrects a popular misconception about the artists' goals while ackwledging the social and cultural complexities of the period. Insightful discussions of Carl Andre, Sol LeWitt, and Claes Oldenburg--in addition to the artists mentioned above--are accompanied by many rare and new photographs of both the art and its creators. Witty, accessible, and scrupulously researched, Earthworks constructs day-to-day chrologies of the development of the artistic movement and its intersections with the larger public events of the time, including specific accounts of galleries, exhibitions, and criticism. Boettger's dynamic social history and psychological insights bring new meaning to this pivotal movement that both embodied and disrupted contemporary tions of art, nature, society, and their relationship to each other.
- Author BiographyA prominent art critic in northern California in the 1980s, Suzaan Boettger (pronounced BET-ger) is now an art historian and active critic based in New York City. A popular speaker, she has lectured at the Solomon R. Guggenheim Museum, the Queens Museum, and the Oakland Museum, and she regularly writes for Art in America.
- Author(s)Suzaan Boettger
- PublisherUniversity of California Press
- Date of Publication15/03/2004
- SubjectFine Arts / Art History
- Place of PublicationBerkerley
- Country of PublicationUnited States
- ImprintUniversity of California Press
- Content Note14 color illustrations, 99 b/w photographs
- Weight939 g
- Width216 mm
- Height254 mm
- Spine17 mm
- Format DetailsTrade paperback (US)
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