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About this product
- DescriptionStrange and exotic, seductive and threatening, the Orient has always been an enchanted space for the West. But this is a space, theorists argue, that has been Orientalized by the West, constructed upon a system of kwledge and power which defines the West as much as this Other . Within Western cultures, the French encounter with the Orient has been extraordinarily rich and varied, from the experiences of the first pilgrims to the challenges posed for the identity of modern-day France by its ethnic mirities. This collection of interdisciplinary essays explores the range of French and francophone encounters with the East from the medieval period to the present day. The contributions encompass a variety of Orients, both geographical and generic: the Orients of the visual arts, of historicist discourse, of fiction and travel writing. They consider t only those artists we immediately associate with the East, such as Nerval or Fromentin, but also those, like Proust, whose work appears firmly rooted in the West. They also provide new insights into the less familiar works of long-celebrated authors like Flaubert and more recently acclaimed writers such as Bouvier and Djebar.
- Author BiographyThe Editor: Margaret Topping is a Lecturer in French in the School of European Studies at Cardiff University. In addition to her research interests in French Orientalism and the interaction of literature and the visual arts, she has written a number of articles on Marcel Proust, and is the author of <i>Proust s Gods</i>. She is currently completing a monograph entitled <i>Supernatural Proust</i>.
- PublisherVerlag Peter Lang
- Date of Publication01/05/2004
- SubjectFine Arts / Art History
- Place of PublicationPieterlen
- Country of PublicationSwitzerland
- ImprintVerlag Peter Lang
- Content Note5 ill.
- Weight550 g
- Width150 mm
- Height220 mm
- Edited byMargaret Topping
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