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About this product
- DescriptionEdward Thomas: The Origins of his Poetry builds a new theoretical framework for critical work on imaginative composition through an investigation of Edward Thomas's composing processes, on material from his letters, his poems and his prose books. It looks at his relation to the land and landscape and includes detailed and illuminating new readings of his poems and close study of many of his hitherto relatively neglected prose works. It traces new and surprising connections between Thomas's approach to composition and the writing and thought of Freud, Woolf and William James, and introduces the significant influence of Japanese aesthetics on Thomas. Analysis of his drafts, layout and typographic and handwritten habits also illumine both his completed poetry and his approach to composition. The sustained study of some of Thomas's volumius correspondence with fellow poets and writers helps also to provide an epistolary reading of his work. The result is t only an ambitious, detailed original consideration of Thomas as writer of poetry and prose but also a surprising and far-reaching analysis of poetic composition with wide-reaching implications for early twentieth-century aesthetic theory, and the limits or the conditions of the sayable, and, through the subtle use of epigraphs from a wide-range of differing sources, the location of the specific readings of Thomas in a much wider intellectual context .
- Author BiographyJudy Kendall is a Reader in English and Creative Writing at the University of Salford.
- Author(s)Judy Kendall
- PublisherUniversity of Wales Press
- Date of Publication28/02/2012
- SubjectLiterary Criticism
- Place of PublicationWales
- Country of PublicationUnited Kingdom
- ImprintUniversity of Wales Press
- Weight272 g
- Width138 mm
- Height216 mm
- Spine20 mm
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