British artist Euan Uglow (1932-2000) maintained a lower profile than others of his generation, yet his beautiful, intelligent, humane, and often witty landscapes, still lifes, and figure studies are today gaining the recognition they so clearly deserve. Many critics and admirers w consider Uglow one of Britain's greatest post-war artists. This is the first book devoted to Uglow and his oeuvre. Richard Kendall's essay explores Uglow's fundamental attitudes, beliefs, and processes in the years 1950 to 1970, and Catherine Lampert looks at the content and personal nature of the artist's paintings over a lifetime, emphasizing his growing attention to color and light. The volume reproduces every kwn oil painting by Uglow-a total of more than 400 works--some 80 of which are here reproduced for the first time. In addition to a chrology, bibliography, and exhibition history for each work, the catalogue entries provide many other details and illuminating tes, including the artist's own observations.
Catherine Lampert, former director of the Whitechapel Art Gallery, organized the major exhibitions of Uglow's work in 1974 and 1979. She is the author of Rodin: Sculpture and Drawings, published by Yale University Press. Richard Kendall is an independent art historian. He is the author of many works on Impressionism and contemporary painting and co-author of The Unknown Monet and the forthcoming Degas and the Art of Japan, both published by Yale University Press.