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- DescriptionThis definitive work offers a new approach to the period film at the turn of the twenty-first century, examining the ways in which contemporary cinema recreates the historical past. This book explores the relation between visual motifs and cultural representation in a range of key films by James Ivory, Martin Scorsese and Jane Campion, among others. Looking at the mannerist taste for citation, detail and stylisation, the author argues for an aesthetic of fragments and figures central to the period film as an international genre. Three key figures - the house, the tableau and the letter - structure a critical journey through a selection of detailed case studies, in relation to changing tions of visual style, melodrama, and gender. This seeks to place this popular but often undervalued genre in a new light and to rethink its significance in the context of key debates in film studies.
- Author BiographyBelen Vidal is lecturer in film studies at King's College London, co-editor (with Dina Iordanova and David Martin-Jones) of Cinema at the Periphery (Wayne State University Press, 2010) and author of Heritage Film: Nation Genre and Representation (Wallflower/Columbia University Press, forthcoming).
- Author(s)Belen Vidal
- PublisherAmsterdam University Press
- Date of Publication07/05/2012
- SubjectFilm, TV & Radio
- Series TitleFilm Culture in Transition
- Place of PublicationAmsterdam
- Country of PublicationNetherlands
- ImprintAmsterdam University Press
- Out-of-print date26/11/2016
- Content Noteillustrations
- Weight440 g
- Width156 mm
- Height234 mm
- Spine20 mm
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