All listings for this product
Consider these sponsored items
Best-selling in Textbooks
Save on Textbooks
- AU $68.00Trending at AU $81.40
- AU $166.94Trending at AU $170.82
- AU $105.90Trending at AU $118.00
- AU $98.79Trending at AU $109.01
- AU $104.89Trending at AU $107.40
- AU $49.76Trending at AU $52.58
- AU $92.78Trending at AU $105.95
About this product
- DescriptionParamount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantiple (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the tion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and n-figurative decoration of Hagia Sophia. A similar concern for the phemen of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium.
- Author BiographyDr Nadine Schibille is a Lecturer in Art History at the University of Sussex, UK.
- Author(s)Nadine Schibille
- PublisherTaylor & Francis Ltd
- Date of Publication28/09/2014
- SubjectFine Arts / Art History
- Country of PublicationUnited Kingdom
- ImprintAshgate Publishing Limited
- Content NoteIncludes 42 colour and 13 b&w illustrations
- Weight756 g
- Width156 mm
- Height234 mm
- Spine0 mm
This item doesn't belong on this page.
Thanks, we'll look into this.