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About this product
- DescriptionFor decades, the formal peculiarities of War and Peace disturbed Russian and Western critics, who attributed both the amalous structure and the literary power of the book to Tolstoy's primitive, unruly genius. Using that critical history as a starting point, this volume recaptures the overwhelming sense of strangeness felt by the work's first readers and thereby illuminates Tolstoy's theoretical and narratological concerns. The author demonstrates that the formal peculiarities of War and Peace were deliberate, designed to elude what Tolstoy regarded as the falsifying constraints of all narratives, both velistic and historical. Developing and challenging the ideas of Mikhail Bakhtin, Morson explores Tolstoy's account of the work's composition in light of various myths of the creative process. He proposes a theory of creation by potential that incorporates Tolstoy's main concerns: the openness of each historical moment; the role of chance in history and within narrative patterns; and the efficacy of ordinary events, hidden in plain view, in shaping history and individual psychology. In his reading of Tolstoy, he demonstrates how we read literary works within the penumbral text of associated theories of creativity.
- Author BiographyGary Saul Morson is Professor of Slavic Languages and Comparative Literature at Northwestern University, and the author of The Boundaries of Genre: Dostoevsky's 'Diary of a Writer' and the Traditions of Literary Utopia, and the editor of Literature and History: Theoretical Problems and Russian Case Studies.
- Author(s)Gary Morson
- PublisherStanford University Press
- Date of Publication01/12/1988
- SubjectLiterary Criticism
- Place of PublicationPalo Alto
- Country of PublicationUnited States
- ImprintStanford University Press
- Content Notenotes, index
- Weight385 g
- Width3556 mm
- Height5487 mm
- Spine18 mm
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