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About this product
- DescriptionThe terrorist attacks of September 11, 2001, and the subsequent US-led invasions of Afghanistan in 2001 and Iraq in 2003 profoundly affected all aspects of society, including cinema. Or did they? Even w, years after those horrific events, debate still rages over their impact on films. At the time many expected Hollywood to tamp down graphic movie violence, while others hoped that filmmakers would finally lay bare volatile socio-political issues fuelling terrorist attacks. In fact, what has emerged is a thicket of darkly pessimistic genres including thrillers, combat films, sci-fi, and horror that makes pre-9/11 films appear naive and optimistic. Hollywood 9/11 explores this transformation, critically examining everything from Harry Potter and the Half-Blood Prince to The Hurt Locker and placing the films in the context of both the socio-political scene and the history of cinema.
- Author BiographyTom Pollard is Professor of Social Sciences at National University, San Jose Campus, where he teaches classes in film and sociology. He has coauthored two previous books on film (A World in Chaos: Social Crisis and the Rise of Postmodern Film and The Hollywood War Machine: U.S. Militarism and Popular Culture). He also serves as a writer and researcher for historical documentaries, including The Maya Pompeii, Paradise Bent, Crystal Fear/Crystal Clear, Not a Game, and The Canyon War. He has had a lifelong love and interest in movies and film.
- Author(s)Tom Pollard
- PublisherTaylor & Francis Ltd
- Date of Publication17/11/2011
- SubjectFilm, TV & Radio
- Place of PublicationLondon
- Country of PublicationUnited Kingdom
- Content Noteblack & white illustrations
- Weight317 g
- Width178 mm
- Height254 mm
- Spine13 mm
- Format DetailsTrade paperback (UK)
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