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Hungarian cinema has often been forced to tread a precarious path and film-makers had to contend with a multiplicity of problems. In the 1960s, Hungary entered into a period of relative stability, resulting in an astonishing creative surge of invative film-making. This is the first English-language book to discuss all major aspects of Hungarian cinema, including avant-garde, animation and representation of mirities.
John Cunningham teaches Film Studies at Sheffield Hallam University and at the London Cener, University of Notre Dame, Indiana.