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About this product
- DescriptionIn this book-length series, poems with titles such as Illustrating the Theory of Interference and Illustrating the Construction of Railroads are paired with nineteenth-century engravings depicting phemena from geology to astromy to mechanics. Yet the poems relate to the images in an oblique rather than a direct way. Poteat uses this framework to construct a mysterious and engaging book that inhabits many worlds at once, bridging the real and the imagined, the traditional and the experimental, the surreal and the ordinary. As each diagram and scene gives rise to a poem that intertwines the life of German artist and printer J. G. Heck - imagined, as little is recorded - with Poteat's own, the book reveals a preoccupation with landscape that encompasses both the precision of Heck's carefully labeled sine waves and brass devices as well as the eeriness of his depictions of skeletal hands or dogs tearing apart a wounded boar. Poteat's intense interest in the natural world is set against a sense of a world behind the world, where each living thing is properly named and the Spirit glows purposefully above the forest, ready to heal if asked in the correct manner.
- Author BiographyJoshua Poteat's first book, Ornithologies, won the 2004 Anhinga Poetry Prize, and his chapbook, Meditations, won the Poetry Society of America's 2004 National Chapbook Award. He has received awards from American Literary Review, Columbia: A Journal of Literature and the Arts, Nebraska Review, and River City.
- Author(s)Joshua Poteat
- PublisherUniversity of Georgia Press
- Date of Publication15/09/2009
- SubjectPoetry Texts & Poetry Anthologies
- Series TitleVQR Poetry Series
- Place of PublicationGeorgia
- Country of PublicationUnited States
- ImprintUniversity of Georgia Press
- Content Note17 b&w illustrations
- Weight136 g
- Width140 mm
- Height216 mm
- Spine10 mm
- Edited byTed Genoways
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