Published one year after Forget Foucault, In the Shadow of the Silent Majorities (1978) may be the most important sociopolitical manifesto of the twentieth century: it calls for thing less than the end of both sociology and politics. Disenfranchised revolutionaries (the Red Brigades, the Baader-Meinhof Gang) hoped to reach the masses directly through spectacular actions, but their message merely played into the hands of the media and the state. In a media society meaning has meaning anymore; communication merely communicates itself. Jean Baudrillard uses this last outburst of ideological terrorism in Europe to showcase the end of the Social. Once invoked by Marx as the motor of history, the masses longer have sociological reality. In the electronic media society, all the masses can do -- and all they will do -- is enjoy the spectacle. In the Shadow of the Silent Majorities takes to its ultimate conclusion the end of ideologies experienced in Europe after the Soviet invasion of Hungary and the death of revolutionary illusions after May 1968. Ideological terrorism doesn't represent anything anymore, writes Baudrillard, t even itself. It is just the last hysterical reaction to discredited political illusions.
Jean Baudrillard (1929--2007) was a philosopher, sociologist, cultural critic, and theorist of postmodernity who challenged all existing theories of contemporary society with humor and precision. An outsider in the French intellectual establishment, he was internationally renowned as a twenty-first century visionary, reporter, and provocateur. Sylvere Lotringer is Jean Baudrillard Chair at the European Graduate School, Switzerland, and Professor Emeritus of French literature and philosophy at Columbia University. Kate Zambreno, the author of two novels, O Fallen Angel and Green Girl and the work Heroines (Semiotext(e)), teaches in the writing programs at Columbia University and Sarah Lawrence College. She is at work on a series of books about time, memory, and the persistence of art, which includes Book of Mutter and the forthcoming Drifts. Chris Kraus is the author of four novels, including Aliens & Anorexia, I Love Dick, and Torpor, and two books of art and cultural criticism, all published by Semiotext(e). She was a 2016 Guggenheim Fellow and teaches writing at European Graduate School. John Johnston is Professor of English and Comparative Literature at Emory University in Atlanta. He is the author of Carnival of Repetition and Information Multiplicity.
Date of Publication
Sociology & Anthropology: Professional
Semiotext(e) / Foreign Agents
Place of Publication
Country of Publication
Paul Foss,John Johnston,Paul Patton,Stuart Kendall