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- DescriptionFor more than four decades, the elusive but influential Los Angeles-based artist John Knight has developed a practice of site specificity that tests both architectural and ideological boundaries of the museum, gallery, and public sphere. Knight's works defy tions of stylistic coherence, even, at times, of instant recognizability. Grounded in a sustained method of inhabiting the material, discursive and ecomic conditions of varied sites, his works systematically challenge tions of object, sign, context, authorship, and value, and they confront audiences t only with mailers, posters, and journals but also with carpenter levels, commemorative plates, deck chairs, bicycle bells, flower arrangements, and credit cards. This volume offers essays and interviews that trace the critical thinking on Knight, discussing the artist's trajectory from 1969 to 2011. These texts, by such prominent figures as Benjamin H. D. Buchloh, Anne Rorimer, Alexander Alberro, and Birgit Pelzer, offer close readings of Knight's pivotal projects in situ while also considering them in terms of such art-historical paradigms as the readymade, the anti-aesthetic, institutional critique, and the relationship between art and design as well as corporate culture at large. The book provides the first collection of these often hard-to-find texts on Knight and will serve as an essential guide for further consideration of his oeuvre.
- Author BiographyAndre Rottmann is a Research Fellow and Lecturer in the Department of Art History at Freie Universitat, Berlin.
- PublisherMIT Press Ltd
- Date of Publication14/03/2014
- SubjectIndividual Artists / Art Monographs
- Series TitleOctober Files
- Series Part/Volume Number16
- Place of PublicationCambridge, Mass.
- Country of PublicationUnited States
- ImprintMIT Press
- Content Note59 b&w illus.
- Weight431 g
- Width152 mm
- Height229 mm
- Spine11 mm
- Edited byAndre Rottmann
- Format DetailsTrade paperback (US)
- Interest AgeFrom 18
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