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About this product
- DescriptionIn this slender first-time solo publication of recent works by the German photo-based artist Jurgen Nabor, a series of 48 black and white photographs of bus shelters in people-less rural Norwegian landscapes recall the visual texture of the Dsseldorf aesthetic of the 1970s. An essay by independent curator Henriette Heidbrink discusses the centering of the subject in each photograph and Nabors debt to other conceptual photographic series such as Ed Ruschas 26 Gas Stations (1963), Thomas Ruffs series of houses (from 1987), Jens Hauges Treehouses (2009), and Joself Schulzes photographic works Ubergang (2005-8) and Poststructure (2012).
- Author(s)Henriette Heidbrink
- PublisherSnoeck Verlagsgesellschaft mbH
- Date of Publication15/10/2014
- Place of PublicationCologne
- Country of PublicationGermany
- ImprintSnoeck Verlagsgesellschaft mbH
- Content Note48 duotone plates
- Width210 mm
- Height280 mm
- Spine5 mm
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