Franz Kafka was one of the most influential writers of the twentieth century. His writing contributed greatly to existentialism, and the term Kafkaesque is w synymous with the literature of the surreal, the complex, and the illogical. His works sustained themes of violence, family conflict, bizarre and all-powerful bureaucracies, and fantastical transformations. However, in Kafka, Angry Poet, Pascale Casava looks past the customary analyses of Kafka's work and dives deep into his mind, examining his motives rather than the results. She bravely asks the question, What if Kafka were the most radical of social critics? What if he had actually attempted to pull the wool over our eyes with narratives that are, in fact, subtly deceptive? The hypothesis she develops is that Kafka began with an awareness of the tragic fate of the German-speaking Jews of early twentieth-century Prague and was subsequently led to reflect on other forms of power, such as male dominance and colonial oppression. The stories produced as a result were traps for the unwary, throwing the reader off the scent with the use of unreliable and even deceitful narrators. Curiously, says Casava, it is t in literature that one finds the answers to these questions but in German ethlogy, a field which, as an intellectual of the Austro-Hungarian Empire, Kafka knew well. Through her detailed research, Casava shows us a combative Kafka who is at once ethlogist and investigator, unstintingly deuncing all forms of domination with the kind of tireless rage that was his hallmark. In so doing, she sheds light on the deep-seated reasons for Kafka's anger.
Pascale Casanova is visiting professor in the Department of Romance Studies at Duke University and an associate researcher at the Centre de Recherches sur les Arts et le Langage, Paris. Chris Turner is a writer and translator who lives in Birmingham, England.