On the night of September 22, 1912, Franz Kafka wrote his story The Judgment, which came out of him like a regular birth. This act of creation struck him as an unmistakable sign of his literary destiny. Thereafter, the search of many of his characters for the Law, for a home, for artistic fulfillment can be understood as a figure for Kafka's own search to reproduce the ecstasy of a single night. In Lambent Traces: Franz Kafka, the preeminent American critic and translator of Franz Kafka traces the implications of Kafka's literary breakthrough. Kafka's first concern was t his responsibility to his culture but to his fate as literature, which he pursued by exploring the limits of the human. At the same time, he kept his transcendental longings sober by ting--with incomparable irony--their virtual impossibility. At times Kafka's passion for personal transcendence as a writer entered into a torturous and witty conflict with his desire for ather sort of transcendence, one driven by a modern Gsticism. This struggle prompted him continually to scrutinize different kinds of mediation, such as confessional writing, the dream, the media, the idea of marriage, skepticism, asceticism, and the imitation of death. Lambent Traces: Franz Kafka concludes with a reconstruction and critique of the approaches to Kafka by such major critics as Ador, Gilman, and Deleuze and Guattari.
Stanley Corngold is Professor of German and Comparative Literature at Princeton University. His books include The Fate of the Self , Franz Kafka: The Necessity of Form , and Complex Pleasure as well as two translations of Kafka's The Metamorphosis and Selected Stories .