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In 1956 John Osborne's Look Back in Anger changed the course of English theatre. 'Look Back in Anger presents post-war youth as it really is. To have done this at all would be a significant achievement; to have done it in a first play is a mir miracle. All the qualities are there, qualities one had despaired of ever seeing on stage - the drift towards anarchy, the instinctive leftishness, the automatic rejection of official attitudes, the surrealist sense of humour...the casual promiscuity, the sense of lacking a crusade worth fighting for and, underlying all these, the determination that one who dies shall go unmourned.' Kenneth Tynan, Observer, 13 May 1956 'Look Back in Anger...has its inarguable importance as the beginning of a revolution in the British theatre, and as the central and most immediately influential expression of the mood of its time, the mood of the angry young man .' John Russell Taylor
John Osborne was born in London in 1929. Before becoming a playwright he worked as a journalist, assistant stage manager and repertory theatre actor. Seeing an advertisement for new plays in The Stage in 1956, Osborne submitted Look Back in Anger. Not only was the play produced, but it was to become considered as the turning point in post-war British theatre. Osborne's protagonist, Jimmy Porter, captured the rebelliousness of an entire post-war generation of 'angry young men'. His other plays include The Entertainer (1957), Luther (1961), Inadmissable Evidence (1964), and A Patriot for Me (1966). He also wrote two volumes of autobiography, A Better Class of Person (1981) and Almost a Gentleman (1991). His last play, Dejavu (1991), returns to the characters of Look Back in Anger, over thirty years later. Both Look Back in Anger and The Entertainer were adapted for film, and in 1963 Osbo