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About this product
- DescriptionIn a nuanced exploration of how Western cinema has represented East Asia as a space of radical indecipherability, Homay King traces the long-standing association of the Orient with the enigmatic. The fantasy of an inscrutable East, she argues, is t merely a side te to film history, but rather a kernel of otherness that has shaped Hollywood cinema at its core. Through close readings of The Lady from Shanghai, Chinatown, Blade Runner, Lost in Translation, and other films, she develops a theory of the Shanghai gesture, a trope whereby orientalist curios and decor become saturated with mystery. These objects and signs come to bear the burden of explanation for riddles that escape the Western protagonist or cant be otherwise resolved by the plot. Turning to visual texts from outside Hollywood which actively grapple with the association of the East and the unintelligible-such as Michelangelo Antonioni's Chung Kuo: Cina, Wim Wenders's Notebook on Cities and Clothes, and Sophie Calle's Exquisite Pain-King suggests alternatives to the paraid logic of the Shanghai gesture. She argues for the development of a process of cultural de-translation aimed at both untangling the psychic enigmas prompting the initial desire to separate the familiar from the foreign, and heightening attentiveness to the internal alterities underlying Western subjectivity.
- Author BiographyHomay King is Associate Professor of Art History at Bryn Mawr College.
- Author(s)Homay King
- PublisherDuke University Press
- Date of Publication06/08/2010
- SubjectFilm, TV & Radio
- Place of PublicationNorth Carolina
- Country of PublicationUnited States
- ImprintDuke University Press
- Content Note30 illustrations
- Format DetailsCloth over boards
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