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About this product
- DescriptionLuigi Russolo (1885-1947) - painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement - was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of ise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Lucia Chessa emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of ises. Chessa shows that Russolo's aesthetics of ise, and the machines he called the intonarumori, were intended to boost practitioners into higher states of spiritual consciousness. His analysis reveals a multifaceted man in whom the drive to keep up with the latest scientific trends coexisted with an embrace of the irrational, and a critique of materialism and positivism.
- Author BiographyLuciano Chessa, a composer and musicologist, teaches music history at the San Francisco Conservatory.
- Author(s)Luciano Chessa
- PublisherUniversity of California Press
- Date of Publication12/04/2012
- SubjectBiography: The Arts
- Place of PublicationBerkerley
- Country of PublicationUnited States
- ImprintUniversity of California Press
- Content Note29 b/w photographs, 1 line illustration
- Weight472 g
- Width152 mm
- Height229 mm
- Spine19 mm
- Format DetailsCloth over boards
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