Until recently the impact of the Lutheran Reformation has been largely regarded in political and socio-ecomic terms, yet for most people it was t the abstract theological debates that had the greatest impact upon their lives, but what they saw in their parish churches every Sunday. This collection of essays provides a coherent and interdisciplinary investigation of the impact that the Lutheran Reformation had on the appearance, architecture and arrangement of early modern churches. Drawing upon recent research being undertaken by leading art historians and historians on Lutheran places of worship, the volume emphasises often surprising levels of continuity, reflecting the survival of Catholic fixtures, fittings and altarpieces, and exploring how these could be remodelled in order to conform with the tenets of Lutheran belief. The volume t only addresses Lutheran art but also the way in which the architecture of their churches reflected the importance of preaching and the administration of the sacraments. Furthermore the collection is committed to extending these discussions beyond a purely German context, and to look at churches t only within the Holy Roman Empire, but also in Scandinavia, the Baltic States as well as towns dominated by Saxon communities in areas such as in Hungary and Transylvania. By focusing on ecclesiastical 'material culture' the collection helps to place the art and architecture of Lutheran places of worship into the historical, political and theological context of early modern Europe.
Andrew Spicer is Professor of Early Modern European History at Oxford Brookes University, UK. Andrew Spicer, Vera Isaiasz, Emily Fisher Gray, Maria Dieters, Margit Thofner, Maria Craciun, Evelin Wetter, Matthias Range, Sven Rune Havsteen, Birgitte Boggild Johannsen, Hugo Johannsen, Oystein Ekroll, Riitta Laitinen, Krista Kodres, Agnieszka Madej-Anderson, Jan Harasimowicz, Susan C. Karant-Nunn.