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About this product
- DescriptionOffering a new queer theorization of melodrama, Jonathan Goldberg explores the ways melodramatic film and literature provide an aesthetics of impossibility. Focused on the tion of what Douglas Sirk termed the impossible situation in melodrama, such as impasses in sexual relations that are t simply reflections of social taboo and prohibitions, Goldberg pursues films by Rainer Werner Fassbinder and Todd Haynes that respond to Sirk's prompt. His analysis hones in on melodrama's original definition--a form combining music and drama--as he explores the use of melodrama in Beethoven's opera Fidelio, films by Alfred Hitchcock, and fiction by Willa Cather and Patricia Highsmith, including her Ripley vels. Goldberg illuminates how music and sound provide queer ways to promote identifications that exceed the bounds of the identity categories meant to regulate social life. The interaction of musical, dramatic, and visual elements gives melodrama its indeterminacy, making it resistant to rmative forms of value and a powerful tool for creating new potentials.
- Author BiographyJonathan Goldberg is Arts and Sciences Distinguished Professor of English at Emory University and the author of several books, most recently Strangers on a Train: A Queer Film Classic. He is also the author of Willa Cather and Others and editor of Queering the Renaissance, both also published by Duke University Press.
- Author(s)Jonathan Goldberg
- PublisherDuke University Press
- Date of Publication12/08/2016
- SubjectFilm, TV & Radio
- Series TitleTheory Q
- Place of PublicationNorth Carolina
- Country of PublicationUnited States
- ImprintDuke University Press
- Weight454 g
- Width3887 mm
- Height5817 mm
- Spine18 mm
- Format DetailsCloth over boards
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