Middlemarch is the prime example of George Eliot's dictum that interpretations are illimitable, and in this collection of new essays Middlemarch is re-examined as an open text responsive to gaps and fissures, and as resistant to authority as it is to other fixed tions of identity, idealism, and gender. What does the vel omit, and how do the omissions shape what is there? How shall we understand the materiality of the text? What problems does it pose to adaptation? The vel's plasticity becomes a basis for investigation into the multiple forms of expressiveness, and a consideration of how we might plot the patterns linguistically, ideologically, even cinematically. New spaces emerge within character, place, and narrative; what seemed absent or inaccessible assumes shape and definition; Middlemarch remains Victorian but it is a Victorianism understood through the dual perspectives of the 19th and 21st centuries. Scholars of George Eliot and students of Victorianism will be engaged by the wide-ranging scope of these essays, which netheless build on each other to form a coherent narrative of critical reflections. If there is something for everyone in Middlemarch, there is also something compelling about each of the essays in this collection.
Author Biography
Karen Chase is Professor of English at the University of Virginia.
Key Features
Publisher
Oxford University Press Inc
Date of Publication
25/05/2006
Language
English
Format
Hardback
ISBN-10
0195169956
ISBN-13
9780195169959
Subject
Literary Criticism
Publication Data
Place of Publication
New York
Country of Publication
United States
Imprint
Oxford University Press Inc
Content Note
3 halftones
Dimensions
Weight
368 g
Width
147 mm
Height
215 mm
Spine
20 mm
Credits
Edited by
Karen Chase
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