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About this product
- DescriptionIn Mother Stone Anne Middleton Wagner looks anew at the carvings of the first generation of British modernists, a group centered around Henry Moore, Barbara Hepworth, and Jacob Epstein. Wagner probes the work of these sculptors, discusses their shared avant-garde materialism, and identifies a common theme that runs through their work and that of other artists of the period: maternity. Why were artists for three turbulent decades after the First World War seemingly preoccupied with representations of pregnant women and the mother and child? Why was this the great new subject, especially for sculpture? Why was the imagery of bodily reproduction at the core of the effort to revitalize what in Britain had become a somlent art? Wagner finds the answers to these questions at the intersection between the politics of maternity and sculptural invation. She situates British sculpture fully within the new reality of bio-power --the realm of Marie Stopes, Brave New World, and Melanie Klein. And in a series of brilliant studies of key works, she offers a radical rereading of this sculpture's main concerns and formal language.
- Author BiographyAnne Middleton Wagner is professor of modern art, University of California, Berkeley. She is the author of Jean-Baptiste Carpeaux: Sculptor of the Second Empire, published by Yale University Press, and of Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O'Keeffe.
- Author(s)Anne Middleton Wagner
- PublisherYale University Press
- Date of Publication20/09/2005
- SubjectFine Arts / Art History
- Series TitleThe Paul Mellon Centre for Studies in British Art
- Place of PublicationNew Haven
- Country of PublicationUnited States
- ImprintYale University Press
- Content Note110 b&w illustrations, 60 colour images
- Weight1293 g
- Width192 mm
- Height256 mm
- Spine25 mm
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