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About this product
- DescriptionOut of a film culture originally starved of funds have emerged rich and eclectic works by film-makers that are w achieving the international recognition that they deserve: Barbara Albert, Michael Haneke, Ulrich Seidl, and Stefan Ruzowitzky, to give four examples. This comprehensive critical anthology, by leading scholars of Austrian film, is intended to introduce and make accessible this much under-represented phemen. Although the book covers the full development of the Austrian new wave it focuses on the period that has brought it global attention: 1998 to the present. New Austrian Film is the only book currently available on this topic and will be an essential reference work for academics, students and filmmakers, interested in modern Austrian film.
- Author BiographyRobert Dassanowsky is Professor of German and Film Studies at the University of Colorado, Colorado Springs. A Carnegie/CASE U.S. Professor of the Year for Colorado, he also works as an independent producer. His books include Phantom Empires: The Novels of Alexander Lernet-Holenia (1995), The Gale Encyclopedia of Multicultural America, 2nd Ed. (as Editor, 1999) and Austrian Cinema: A History (2005), the first English language survey of that nation's film art. Oliver C. Speck is Assistant Professor of Film Studies at Virginia Commonwealth University, School of World Studies. His scholarly writing focuses on narrative strategies and the representation of memory and history in European cinema. His new book Funny Frames: The Filmic Concepts of Michael Haneke (2010), explores how a political thinking manifests itself in the oeuvre of the Austrian director.
- PublisherBerghahn Books
- Date of Publication01/03/2014
- SubjectFilm, TV & Radio
- Place of PublicationOxford
- Country of PublicationUnited Kingdom
- ImprintBerghahn Books
- Content Noteblack & white illustrations
- Weight544 g
- Width152 mm
- Height229 mm
- Spine21 mm
- Edited byOliver C. Speck,Robert Dassanowsky
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