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About this product
- DescriptionIn this landmark work of critical theory, black studies, and visual culture studies, Alessandra Raengo boldly reads race as a theory of the image. By placing emphasis on the surface of the visual as the repository of its meaning, race presents the most enduring ontological approach to what images are, how they feel, and what they mean. Having established her theoretical concerns, the author's eclectic readings of various artifacts of visual culture, fine arts, cinema, and rhetorical tropes provoke and destabilize readers' visual comfort zone, forcing them to recognize the unstated racial aspects of viewing and the foundational role of race in informing the visual.
- Author BiographyALESSANDRA RAENGO is an assistant professor of moving image studies in the Department of Communications at Georgia State University.
- Author(s)Alessandra Raengo
- PublisherUniversity Press of New England
- Date of Publication14/05/2013
- SubjectSocial Studies: General
- Place of PublicationHanover
- Country of PublicationUnited States
- ImprintUniversity Press of New England
- Content Note40 illus.
- Weight499 g
- Width152 mm
- Height229 mm
- Spine23 mm
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