2007 Lambda Literary Award Finalist, LGBT Studies Richard Wright. Ralph Ellison. James Baldwin. Literary and cultural critic Robert Reid-Pharr asserts that these and other post-World War II intellectuals anunced the very themes of race, gender, and sexuality with which so many contemporary critics are w engaged. While at its most elemental Once You Go Black is an homage to these thinkers, it is at the same time a reconsideration of black Americans as agents, and t simply products, of history. Reid-Pharr contends that our current tions of black American identity are t inevitable, r have they simply been forced onto the black community. Instead, he argues, black American intellectuals have actively chosen the identity schemes that seem to us so natural today. Turning first to the late and relatively obscure vels of Wright, Ellison, and Baldwin, Reid-Pharr suggests that each of these authors rejects the idea of the black as incent. Instead they insisted upon the responsibility of all citizens-even the most oppressed-within modern society. Reid-Pharr then examines a number of responses to this presumed erosion of black incence, paying particular attention to articulations of black masculinity by Huey Newton, one of the two founders of the Black Panther Party, and Melvin Van Peebles, director of the classic film Sweet Sweetback's Baadasssss Song. Shuttling between queer theory, intellectual history, literary close readings, and autobiography, Once You Go Black is an impassioned, eloquent, and elegant call to bring the language of choice into the study of black American literature and culture. At the same time, it represents a hard-headed rejection of the presumed inevitability of what Reid-Pharr names racial desire in the production of either culture or cultural studies.
Robert F. Reid-Pharr is Distinguished and Presidential Professor of American Studies at the Graduate Center of the City University of New York. He is the author of three books, Once You Go Black: Choice, Desire, and the Black American Intellectual (NYU Press, 2007), Black Gay Man: Essays (NYU Press, 2001), and Conjugal Union: The Body, the House, and the Black American (1999).