It had come to this: breast-feeding her screaming three-month-old while sitting on the cigarette-scarred floor of a union hall, lying to her husband so she could attend yet ather activist meeting, and otherwise actively self-destructing. Then Sonya Huber turned to her long-dead grandfather, the family body, for help.Huber's search for meaning and resonance in the life of her grandfather Heina Buschman was unusual insofar as she knew him only through dismissive family stories. He let his wife die of neglect . . . he used his infant son as a decoy when transporting anti-Nazi literature in a baby carriage . . . and so the stories went. What she actually discovered was that, like his granddaughter, Heina Buschman was a beleaguered but committed activist whose story echoed her own.Through her research, Huber t only conjured her grandfather's voice in answer to many of the questions that troubled her but also found in his story a source of personal sustenance. Based on extensive research and documentation, this story of Heina Buschman offers a rare look into the heart of the average socialist trying to survive the Nazis and rebuild a broken world. Alternating with his voice is Huber's own, providing a rich and moving counterpoint that makes this deeply personal exploration of family, politics, and individual responsibility a story for all of us and for all time.
Sonya Huber is an assistant professor of English at Fairfield University. She is the author of Cover Me (Nebraska, 2010) as well as the textbook The Backwards Research Guide for Writers, and many essays and articles.