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- DescriptionMoving effortlessly between symbolist poetry and Barbie dolls, artificial intelligence and Kleist, Kant, and Winnicott, Barbara Johnson t only clarifies psychological and social dynamics; she also re-dramatizes the work of important tropes - without ever losing sight of the ethical imperative with which she begins: the need to treat persons as persons. In Persons and Things , Johnson turns deconstruction around to make a fundamental contribution to the new aesthetics. She begins with the most elementary thing we kw: deconstruction calls attention to gaps and reveals that their claims upon us are fraudulent. Johnson revolutionizes the method by showing that the inanimate thing exposed as a delusion is central to fantasy life, that fantasy life, however deluded, should be taken seriously, and that although a work of art 'is formed around something missing', this 'void is its vanishing point, t its essence'. She shows deftly and delicately that the void inside Keats' urn, Heidegger's jug, or Wallace Stevens' jar forms the center around which we tend to organize our worlds. The new aesthetics should restore fluidities between persons and things. In pursuing it, Johnson calls upon Ovid, Keats, Poe, Plath, and others who have inhabited this in-between space. The entire process operates via a subtlety that only a critic of Johnson's caliber could reveal to us.
- Author BiographyBarbara Johnson taught in the departments of English and Comparative Literature at Harvard University and was the Frederic Wertham Professor of Law and Psychiatry in Society. She is the author of The Critical Difference, A World of Difference, and The Wake of Deconstruction.
- Author(s)Barbara Johnson
- PublisherHarvard University Press
- Date of Publication09/03/2010
- SubjectLiterary Criticism
- Place of PublicationCambridge, Mass
- Country of PublicationUnited States
- ImprintHarvard University Press
- Weight408 g
- Width155 mm
- Height235 mm
- Spine20 mm
- Format DetailsUnsewn / adhesive bound,Trade paperback (US)
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