The Well of Loneliness is probably the most famous lesbian vel ever written, and certainly the most widely read. It contains explicit sex scenes, yet in 1928, the year in which the vel was published, it was deemed obscene in a British court of law for its defense of sexual inversion and was forbidden for sale or import into England. Its author, Radclyffe Hall, was already well-kwn as a writer and West End celebrity, but the fame and toriety of that one book has all but eclipsed a literary output of some half-dozen other vels and several volumes of poetry. In Radclyffe Hall: A Life in the Writing Richard Dellamora offers the first full look at the entire range of Hall's published and unpublished works of fiction, poetry, and autobiography and reads through them to demonstrate how she continually played with the details of her own life to help fashion her own identity as well as to bring into existence a public lesbian culture. Along the way, Dellamora revises many of the truisms about Hall that had their origins in the memoirs of her long-term partner, Una Troubridge, and that have found an afterlife in the writings of Hall's biographers. In detailing Hall's explorations of the self, Dellamora is the first seriously to consider their contexts in Freudian psychoanalysis as understood in England in the 1920s. As important, he uncovers Hall's involvement with other modes of speculative psychology, including Spiritualism, Theosophy, and an eclectic brand of Christian and Buddhist mysticism. Dellamora's Hall is a woman of complex accommodations, able to reconcile her marriage to Troubridge with her passionate affairs with other women, and her experimental approach to gender and sexuality with her conservative politics and Catholicism. She is, above all, a thinker continually inventive about the connections between selfhood and desire, a figure who has much to contribute to our own efforts to understand transgendered and transsexual existence today.
Richard Dellamora is Visiting Professor in the department of English at UCLA and Professor Emeritus of English and Cultural Studies at Trent University in Canada. He is the author of Friendship's Bonds: Democracy and the Novel in Victorian England and editor of Postmodern Apocalypse: Theory and Cultural Practice at the End, both available from the University of Pennsylvania Press.