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About this product
- DescriptionThis study examines through textual and contextual analysis how the texts and the biography of Heinrich von Kleist have been appropriated in three West German films since 1975. The author brings to bear at least three areas of expertise - Kleist studies, film semiotics, feminist theory - in a work that closely analyzes Eric Rohmer's Die Marquise von O..., Helma Sanders-Brahms' Heinrich, and Hans Neuenfels' Heinrich Penthesilea von Kleist. Rather than discussing the loyalty of a particular film to the original texts of Kleist, Rhiel looks at each film's discursive construction of authorship and analyzes its participation in the formation of the film's textual and narrative strategies.
- Author BiographyThe Author: A 1985 recipient of the Fulbright-Hayes Scholarship, Mary Rhiel received her Ph.D. in German from the University of Wisconsin-Madison. She is currently an Assistant Professor of German and Women's Studies at the University of New Hampshire.
- Author(s)Mary Rhiel
- PublisherPeter Lang Publishing Inc
- SubjectEncyclopedias & General Reference
- Series TitleStudies in Modern German Literature
- Series Part/Volume Number44
- Country of PublicationUnited States
- ImprintPeter Lang Publishing Inc
- Weight400 g
- Height240 mm
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