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About this product
- DescriptionWhile authors in early modern England were gaining new authority - legally, ecomically and symbolically - Renaissance readers also were expected to participate in and make use of an author's writings. In this book, Stephen B. Dobranski examines how the seventeenth-century phemen of printing apparently unfinished works ushered in a new emphasis on authors' responsibility for written texts while it simultaneously reinforced Renaissance practices of active reading. Bringing together textual studies, literary criticism and book trade history, Dobranski provides fresh insight into Renaissance constructions of authorship and offers discerning interpretations of publications by Sir Philip Sidney, Ben Jonson, John Donne, Robert Herrick and John Milton. The omissions in all these writers' works provide a unique window into English literary history: through these blank spaces we glimpse the tension between implication and inference, between writers' intentions and readers' responses and between an individual author and a collaborative community.
- Author BiographyStephen Dobranski is author of Milton, Authorship and the Book Trade, and co-editor of Milton and Heresy.
- PrizesWinner of South Atlantic Modern Language Association Studies Book Award 2005.
- Author(s)Stephen B. Dobranski
- PublisherCambridge University Press
- Date of Publication17/03/2005
- SubjectLiterary Criticism
- Place of PublicationCambridge
- Country of PublicationUnited Kingdom
- ImprintCambridge University Press
- Content Note12 tones
- Weight530 g
- Width152 mm
- Height228 mm
- Spine17 mm
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