Reading Cavell's the World Viewed : A Philosophical Perspective on Film by William Rothman, Marian Keane (Paperback, 2000)
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About this product
- DescriptionIn their study of one of Stanley Cavell's greatest yet most neglected books, William Rothman and Marian Keane address this eminent philosopher's many readers, from a variety of disciplines, who have neither understood why he has given film so much attention, r grasped the place of The World Viewed within the totality of his writings about film. The authors also reintroduce The World Viewed to the field of film studies. When the new field entered universities in the late 1960s, it predicated its legitimacy on the conviction that the medium's artistic achievements called for serious criticism and on the corollary conviction that existing field was capable of the criticism film called for. The study of film needed to found itself, intellectually, upon a philosophical investigation of the conditions of the medium and art of film. Such was the challenge The World Viewed took upon itself. However, film studies opted to embrace theory as a higher authority than our experiences of movies, divorcing itself from the philosophical perspective of self-reflection apart from which, The World Viewed teaches, we cant kw what movies mean, or what they are. Rothman and Keane w argue that the poststructuralist theories that dominated film studies for a quarter of a century longer compel conviction, Cavell's brilliant and beautiful book can provide a sense of liberation to a field that has foresaken its original calling. Read in a way that ackwledges its philosophical achievement, The World Viewed can show the field a way to move forward by rediscovering its passion for the art of film. The title should be useful to scholars and students of film and philosophy, and to those in other fields, such as literary studies and American studies, who have found Cavell's work provocative and fruitful.
- Author BiographyWilliam Rothman is a professor of motion pictures and director of the Graduate Program in Film Studies at the University of Miami. He is the author of the definitive Hitchcock-The Murderous Gaze (Harvard University Press, 1982), The -I- of the Camera: Essays in Film History, Criticism and Aesthetics (Cambridge University Press, 1989), and Documentary Film Classics (Cambridge University Press, 1998)Marian Keane is an assistant professor of film studies at the University of Colorado.
- Author(s)Marian Keane,William Rothman
- PublisherWayne State University Press
- Date of Publication30/11/2000
- SubjectLiterary Criticism
- Series TitleContemporary Approaches to Film and Media Series
- Place of PublicationDetroit, MI
- Country of PublicationUnited States
- ImprintWayne State University Press
- Content Note27 illustrations
- Weight472 g
- Width152 mm
- Height229 mm
- Spine16 mm
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