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- DescriptionIn the context of nineteenth-century Victoriir and close readings of original-cycle film ir, Julie Grossman argues that the presence of the femme fatale figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with bad women.
- Author BiographyJULIE GROSSMAN is Interim Dean of Arts and Sciences and Professor of English, Communication and Film Studies at Le Moyne College, New York, USA. She is co-editor of A Due Voci: The Photography of Rita Hammond and has published articles on film noir, Francis Ford Coppola, Todd Haynes, Oscar Wilde and Karen Finley, and Thomas Hardy and Henry James.
- Author(s)Julie Grossman
- PublisherPalgrave Macmillan
- Date of Publication21/10/2009
- SubjectFilm, TV & Radio
- Place of PublicationBasingstoke
- Country of PublicationUnited Kingdom
- ImprintPalgrave Macmillan
- Content Notebiography
- Weight370 g
- Width140 mm
- Height216 mm
- Spine12 mm
- Format DetailsLaminated cover
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