Dr Goldberg argues that Samuel Richardson had expressed a powerful and hitherto unperceived sexual mythology in Clarissa, making it the popular masterpiece it quickly became. There had never before been a work of literature in which the rape of a woman became the moral indictment of an age. Clarissa was a book which changed minds. It is t surprising that Diderot, the French philosophe, drew on Richardson as the inspiration for his own vel, La Religieuse. Richardson's vels had achieved Diderot's declared aim as editor of the great Encyclopedie: to change the way people think. For both writers it had become clear that the boudoir had replaced the Puritan closet and the Catholic confessional as the location for tests of virtue. Dr Goldberg offers an original, comparative reading of the works of these French and English invators. She leaves us in little doubt that our understanding of what it means to be a woman in our culture owes much to the turbulent world of Richardson and Diderot.