The concepts of modernity and modernism are amongst the most controversial and vigorously debated in contemporary philosophy and cultural theory. In this new, muscular, intervention Fredric Jameson, perhaps the most influential and persuasive theorist of postmodernity explores these tions in a fresh and illuminating manner. The extraordinary revival of discussions of modernity, as well as of new theories of artistic modernism, demands attention in its own right. It seems clear that the provisional disappearance of alternatives to capitalism plays its part in the universal attempt to revive 'modernity' as a social ideal. Yet the paradoxes of the concept illustrate its legitimate history and suggest some rules for avoiding its misuse as well. In this major new interpretation of the problematic, Jameson concludes that both concepts are tainted but netheless yield clues as to the nature of the phemena they purported to theorize. His judicious and vigilant probing of both terms which can probably t be banished at this late date helps us clarify our present political and artistic situations.
Fredric Jameson is Distinguished Professor of Comparative Literature at Duke University. He has previously published with Verso Late Marxism: Adorno, or the Persistence of the Dialectic, Brecht and Method and the prize-winning Postmodernism, or, The Cultural Logic of Late Capitalism.