For the past four decades, a quiet but remarkably resilient strand of activity in contemporary art has been evident - that of artists who have largely turned their back on the city to embrace the context and inspiration offered by the natural environment, though in a spirit quite distinct from the tradition of landscape painting. Song of the Earth showcases the work of six important contemporary artists who work in the landscape and make use of the materials and processes of nature. Their methods favour observation, collecting and forms of manipulation that are more reflective than intrusive, setting them firmly apart from artists of the American Land Art movement working over the same period. Herman de Vries, Chris Drury, Ian Hamilton Finlay, Nikolaus Lang, Richard Long and Giuseppe Penne do t belong to a particular school, but they are united in their empathy for nature and their decision to work outside the urban contexts of much modernist art. Interviews with the artists, conducted by William Furlong, reveal both widely differing motivations in their approaches to their work and striking similarities in their underlying concerns, and sometimes, methods of working. The intro
Mel Gooding has written extensively on contemporary art and artists, and has curated many exhibitions. He is currently Senior Research Fellow at Edinburgh College of Art. William Furlong is founder editor of Audio Arts, an audio cassette magazine of international art and artists, and Professor of Fine Art at Wimbledon School of Art in England.