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About this product
- DescriptionWhy did Spenser write his epic, The Faerie Queene, in stanzas instead of a classical meter or blank verse? Why did he affect the vocabulary of medieval poets such as Chaucer? Is there, as centuries of readers have ticed, something lyrical about Spenser's epic style, and if so, why? In this accessible and wide-ranging study, David Scott Wilson-Okamura reframes these questions in a larger, European context. The first full-length treatment of Spenser's poetic style in more than four decades, it shows that Spenser was English without being insular. In his experiments with style, Spenser faced many of the same problems, and found some of the same solutions, as poets writing in other languages. Drawing on classical rhetoric and using concepts that were developed by literary critics during the Renaissance, this is an account of long-term, international trends in style, illustrated with examples from Petrarch, Du Bellay, Ariosto and Tasso.
- Author BiographyDavid Scott Wilson-Okamura is an Associate Professor of English at East Carolina University. He is the author of Virgil in the Renaissance (2010), also published by Cambridge University Press.
- PrizesWinner of Spenser Society's Isabel MacCaffrey Award 2015.
- Author(s)David Scott Wilson-Okamura
- PublisherCambridge University Press
- Date of Publication06/06/2013
- SubjectLiterary Criticism
- Place of PublicationCambridge
- Country of PublicationUnited Kingdom
- ImprintCambridge University Press
- Content Note2 b/w illus.
- Weight510 g
- Width152 mm
- Height228 mm
- Spine13 mm
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