In Still Life in Milford, Lynch casts the cold eye we are told to on life and death, history and memory, the local and the larger geographics. Examining the dynamics of faith, remembrance, and intimate conduct, these poems are informed by end times, tribulations and visions that make up the ordinary enterprise of daily life. Colloquy and narrative, soliloquy and tribute, Still Life in Milford engages the full register of the poet's voices as elegist, eulogist, obituarist, straight man and passer-by to achieve a difficult and inimitable harmony.
Thomas Lynch's poems, essays and stories have appeared in The Atlantic and Granta, Harper's and the Times (of London, New York, Ireland and L.A.) and elsewhere. He has published four poetry collections and a collection of stories, Apparition & Other Late Fictions (published by Jonathan Cape), as well as works of non-fiction, including The Undertaking: Life Studies from the Dismal Trade. He lives in Milford, Michigan and in Moveen, West Clare.