Most historical accounts of the West take it for granted that the guiding principles of the Western tradition-reason, progress, and freedom-have been passed down directly from ancient Greece to modern Europe, evolving in isolation from all n-Western cultures. Today, many political analysts and cultural critics maintain that the Western tradition is fast approaching its end, for better or worse, as it becomes more and more integrated with n-Western cultures in an increasingly globalized world. But what if we are witnessing something else entirely-t the end of the West but rather ather historical mutation of the idea of the West itself?This groundbreaking work shows that whether the West is hailed as the source of all historical progress or scorned as the root of all cultural imperialism, it remains a deeply problematic concept that is intrinsically connected to an ethcentric view of the world. In a critical reading of the continental philosophers Husserl, Heidegger, Levinas, and Derrida as well as the postcolonial thinkers Said, Mohanty, Bhabha, and Trinh, Sean Meighoo strikes at the intellectual foundations of Western exceptionalism until its ideological supports show through. Deconstructing the concept of the West in his provocative interpretations of Martin Bernal's controversial publication Black Athena and the Beatles' second film Help!, Meighoo poses a formidable question to philosophers, writers, political analysts, and cultural critics alike: Can we mount an effective critique of Western ethcentrism without reinforcing the very idea of the West?
Sean Meighoo is an assistant professor in the Department of Comparative Literature at Emory University. His work has appeared in the journals Small Axe, Cultural Critique, Journal for Critical Animal Studies, and Humanimalia, as well as the volumes Nation Dance: Religion, Identity, and Cultural Difference in the Caribbean (2001) and Beastly Morality: Animals as Ethical Agents (Columbia, 2015).