The almost complete disregard of the verse epic as a genre still worthy of meaningful discussion and earnest investigation is all too apparent in German literary criticism. The only attempt to view the genre in its evolution through the centuries is Heinrich Maiworm's valuable but necessarily somewhat perfunctory historical survey of the German epic which appeared in the second volume of Deutsche Philologie im Auf,iss. There is as yet, however, literary study of the German verse epic in the nineteenth and twentieth centuries, a period which is of particular interest to such a study and indeed crucial to the genre itself, since it was during this period that the vel claimed its final and apparently irrevocable victory over its predecessor, a form which had once been hallowed but was w declared a dead genre. It is t the lack of sufficient material that could explain this neglect, for in terms of sheer quantity and, we believe, t quantity alone, there is eugh material for more than one study. The prime purpose of this work, then, is to attempt, if t to fill this conspicuous gap, at least to begin narrowing it somewhat, and in so doing to determine in how far the continuing existence of this vacuum in German literary appreciation is in fact justified.