The Indignant Generation is the first narrative history of the neglected but essential period of African American literature between the Harlem Renaissance and the civil rights era. The years between these two indispensable epochs saw the communal rise of Richard Wright, Gwendolyn Brooks, Ralph Ellison, Lorraine Hansberry, James Baldwin, and many other influential black writers. While these individuals have been duly celebrated, little attention has been paid to the political and artistic milieu in which they produced their greatest works. With this commanding study, Lawrence Jackson recalls the lost history of a crucial era. Looking at the tumultuous decades surrounding World War II, Jackson restores the indignant quality to a generation of African American writers shaped by Jim Crow segregation, the Great Depression, the growth of American communism, and an international wave of decolonization. He also reveals how artistic collectives in New York, Chicago, and Washington fostered a sense of destiny and belonging among diverse and disenchanted peoples. As Jackson shows through contemporary documents, the years that brought us Their Eyes Were Watching God, Native Son, and Invisible Man also saw the rise of African American literary criticism--by both black and white critics. Fully exploring the cadre of key African American writers who triumphed in spite of segregation, The Indignant Generation paints a vivid portrait of American intellectual and artistic life in the mid-twentieth century.
Lawrence P. Jackson is professor of African American studies and English at Emory University. He is the author of Ralph Ellison: Emergence of Genius and My Father's Name: A Black Virginia Family after the Civil War .
Winner of Book Award, College Language Association 2012 (United States) and BCALA Literary Award, Nonfiction Category 2012 and Association of American Publishers Award for Best Professional/Scholarly Book in Biomedicine & Neuroscience 2011 (United States) and William Sanders Scarborough Prize, Modern Language Association 2011 (United States). Commended for Hurston/Wright Legacy Award for Nonfiction, The Hurston/Wright Foundation 2011 (United States) and National Book Award, Benjamin L. Hooks Institute for Social Change, University of Memphis 2011 (United States).