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About this product
- DescriptionUsing vels and autobiographies from Bach's Germany, Stephen Rose suggests new ways of interpreting the lives and social status of musicians. This study focuses on satirical vels written by musicians that describe the lives of performers and composers, as well as the autobiographies of Bach's contemporaries. These narratives represent musicians variously as picaresque outcasts, hourable craft-workers, foolish bunglers and respected virtuosos. They probe the lives of musicians considered taboo or aberrant in the period, such as street entertainers and Italian castratos. The vels and autobiographies also reveal two major debates that shaped the mindset and social identity of musicians: was music a sensual or rational craft, and should musicians integrate within society or be regarded as outsiders? Quoting from an array of little-kwn vels, this book shows how an interdisciplinary approach can transform our understanding of Bach and his contemporaries.
- Author BiographyStephen Rose is Lecturer in Music at Royal Holloway, University of London. His research explores German music of the seventeenth and eighteenth centuries in its social, material and performing contexts. He has contributed to The Cambridge History of Seventeenth-Century Music (2005), The Cambridge History of Eighteenth-Century Music (2009) and An Introduction to Music Studies (2008), all published by Cambridge University Press. His articles and reviews have appeared in many publications including Early Music, for which he is also Reviews Editor, and the Journal of the Royal Musical Association. He is active as an organist and harpsichordist.
- Author(s)Stephen Rose
- PublisherCambridge University Press
- Date of Publication10/07/2014
- SubjectMusic & Dance
- Place of PublicationCambridge
- Country of PublicationUnited Kingdom
- ImprintCambridge University Press
- Content Note6 b/w illus. 4 music examples
- Weight400 g
- Width170 mm
- Height244 mm
- Spine13 mm
- Format DetailsTrade paperback (US)
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