It was a crisp November night. The artificial brilliance of Broadway was rivalled by a glorious moonlit sky. The first autumn frost was in the air, and on the side-streets long rows of taxicabs were standing, their motors blanketed, their chauffeurs threshing their arms to rout the cold. A few well-bundled cabbies, perched upon old-style hansoms, were barking at the stream of hurrying pedestrians. Against a background of lesser lights myriad points of electric signs flashed into everchanging shapes, winking like huge, distorted eyes; fanciful designs of liquid fire ran up and down the walls or blazed forth in lurid colors. From the city's cans came an incessant clanging roar, as if a great river of brass and steel were grinding its way toward the sea. Crowds began to issue from the theatres, and the lines of waiting vehicles broke up, filling the streets with the whir of machinery and the clatter of hoofs. A horde of shrill-voiced urchins pierced the confusion, waving their papers and screaming the football scores at the tops of their lusty lungs, while above it all rose the hoarse tones of carriage callers, the commands of traffic officers, and the din of street-car gongs. In the lobby of one of the playhouses a woman paused to adjust her wraps, and, hearing the cries of the newsboys, petulantly exclaimed: I'm absolutely sick of football. That performance during the third act was eugh to disgust one.