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About this product
- DescriptionMadeleine Velguth analyzes the representation of women in the first six vels of Raymond Queneau (1903-1976) in the context of the social and intellectual climate of early twentieth-century France. Her balanced approach shows how surrealism, psychoanalysis and autobiography inform Queneau's sympathetic and finely-drawn portraits of women. Revealing previously unticed structures, Velguth's study presents these works as an organic whole: six variations on the theme of the slow maturing of the man and the artist.
- Author(s)Madeleine Velguth
- PublisherPeter Lang Publishing Inc
- Date of Publication01/03/1990
- SubjectLiterary Criticism
- Series TitleAmerican University Studies, Series 2: Romance, Languages & Literature
- Series Part/Volume Number133
- Country of PublicationUnited States
- First Published1990
- ImprintPeter Lang Publishing Inc
- Weight480 g
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