This book analyses the teen film as the rare medium able to represent the otherwise chaotic and conflicting experience of youth. The author focuses on six major issues: alienation, deviance and delinquency, sex and gender, the politics of consumption, the apolitics of youth(ful) rebellion, and regression into stalgia. Despite the many differences within the genre, this book sees all teen films as focused on a single social concern: the breakdown of traditional forms of authority - school, church, family. Working with the theories of such diverse scholars as Kenneth Keniston, Bru Bettelheim, Erik Erikson, Theodor Ador, Simon Frith, and Dick Hebdige, the author draws an invative and flexible model of a cultural history of youth. Originally published in 1992.