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About this product
- DescriptionDirecting unprecedented attention to how the idea of 'excess' has been used by both producers and consumers of visual and material culture, this collection examines the discursive construction of excess in relation to art, material goods and people in various global contexts. The contributors illuminate how excess has been perceived, quantified and constructed, revealing in the process how beliefs about excess have changed over time and how they have remained consistent. The collection as a whole underscores the fact that the concept of excess must always be considered critically, whether in scholarship or in lived experience. Although the idea of excess has often been used to shame and degrade, many of the essays in this collection demonstrate how it has also been used as a strategy for self-fashioning, transgression and empowerment, particularly by women and queer subjects. This volume examines a range of material, including diamonds, ceramics, paintings, dollhouses, caricatures, interior design and theatrical performances. Each case study sheds new light on how excess was used in a specific cultural context, including canical sites of study such as the Netherlands in the eighteenth century, Victorian Britain and Paris in the 1920s, and under-studied contexts such as Canada and Sweden.
- Author BiographyJulia Skelly is an Affiliate Assistant Professor in the Department of Art History at Concordia University, Montreal, Canada, and author of Addiction and British Visual Culture, 1751-1919 - Wasted Looks (Ashgate, 2014).
- PublisherTaylor & Francis Ltd
- Date of Publication06/08/2014
- SubjectFine Arts / Art History
- Country of PublicationUnited Kingdom
- ImprintAshgate Publishing Limited
- Content NoteIncludes 4 colour and 41 b&w illustrations
- Weight852 g
- Width156 mm
- Height234 mm
- Spine19 mm
- Edited byJulia Skelly
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