When a lanky, unpretentious, incredibly gifted, twenty-three-year-old Texan took Moscow by musical storm in 1958, it launched a sensational career that began at the age of thirteen and was to span over four decades. At the height of the Cold War, this friendly, open-hearted pianist enchanted the hearts of Americans and Russians alike with his playing that was more about personal communications than exhibitionistic virtuosity. Winning the Soviet-sponsored Tchaikovsky International Pia Competition immediately thrust Van Cliburn into political as well as artistic pressures, attention, adulation, and scrutiny that might have sabotaged any young artist who lacked the confidence and conviction of Van Cliburn. In a meteoric career that made Van Cliburn a cultural hero tantamount to the Beatles, the facts became stranger than the fiction that abounded about his career that fizzled a year or two after the Tchaikovsky competition, or about the near loss of an arm, or about his eleven-year retreat into privacy beginning in the late '70s. The myth that surrounded the name Van Cliburn in the '50s and '60s became legend with his triumphant re-entry in 1987?an event that was to epitomize the poetic nature of Van's entire life. Responding to an invitation to perform for Mikhail and Raisa Gorbachev at a state dinner, Van once again proved that music is indeed the universal language of understandng capable of uniting our diverse cultures. Bounding off the platform after his performance to kiss Nancy Reagan and Raisa Gorbachev, Van responded to Raisa's request for more music by playing the beloved Soviet song, Moscow Nights ?the same stalgic song he had learned and performed during his first incredible journey to Moscow in 1958. As millions of Americans watched on their television screens, the usual staid state dinner dissolved into a moving memory of Van singing along with the Gorbachevs as the whole room dissolved into tears. Russia and America joined hands and hearts in this one historical moment.